by Cole Porter
My story is much too sad to be told
But practically everything leaves me totally cold
The exception I know is the case
When I'm out on a quiet spree
Fighting vainly the old ennui
And I suddenly turn and see your fabulous face
I get no kick from champagne
Mere alcohol doesn't thrill me at all
So tell me why should it be true
That I get a kick out of you?
Some, they may go for cocaine
I'm sure that if I took even one sniff
It would bore me terrifically, too
Yet I get a kick out of you
I get a kick every time
I see you standing there before me
I get a kick, though it's clear to see
You obviously do not adore me
I get no kick in a plane
Flying too high with some gal in the sky
Is my idea of nothing to do
Yet I get a kick out of you
Tuesday, April 27, 2010
I Get a Kick Out of You
Posted by Steven A Mitchell 0 comments
Sunday, April 25, 2010
Burnt Norton (Pt. II)
[Pt. I here]
by T.S. Eliot
Garlic and sapphires in the mud
Clot the bedded axle-tree.
The trilling wire in the blood
Sings below inveterate scars
Appeasing long forgotten wars.
The dance along the artery
The circulation of the lymph
Are figured in the drift of stars
Ascend to summer in the tree
We move above the moving tree
In light upon the figured leaf
And hear upon the sodden floor
Below, the boarhound and the boar
Pursue their pattern as before
But reconciled among the stars.
At the still point of the turning world. Neither flesh nor fleshless;
Neither from nor towards; at the still point, there the dance is,
But neither arrest nor movement. And do not call it fixity,
Where past and future are gathered. Neither movement from nor towards,
Neither ascent nor decline. Except for the point, the still point,
There would be no dance, and there is only the dance.
I can only say, there we have been: but I cannot say where.
And I cannot say, how long, for that is to place it in time.
The inner freedom from the practical desire,
The release from action and suffering, release from the inner
And the outer compulsion, yet surrounded
By a grace of sense, a white light still and moving,
Erhebung without motion, concentration
Without elimination, both a new world
And the old made explicit, understood
In the completion of its partial ecstasy,
The resolution of its partial horror.
Yet the enchainment of past and future
Woven in the weakness of the changing body,
Protects mankind from heaven and damnation
Which flesh cannot endure.
Time past and time future
Allow but a little consciousness.
To be conscious is not to be in time
But only in time can the moment in the rose-garden,
The moment in the arbour where the rain beat,
The moment in the draughty church at smokefall
Be remembered; involved with past and future.
Only through time time is conquered.
[Pt. III here]
Posted by Steven A Mitchell 0 comments
Labels: Eliot, Four Quartets, memory, poetry
Wednesday, April 21, 2010
Tiny Light
by Grace Potter
What will come of us today?
What we need we cannot say
It's been a long, long time since I've been so afraid
As we all fall down, it's hard to see a brighter day
But I see a tiny light
Like a flashbulb sparkle in the night
I see a tiny light
Telling everyone to hold on tight
What will come of all our pride?
This house of stone has crumbled from the inside
It's been a long, long war, now the battle's drawing near
Closer and closer till it whispers in my ear
Bring me back the streets of gold
Give me something warm to hold
Give me love and only love
And you will see it shining from above
Posted by Steven A Mitchell 0 comments
Labels: change, disharmony, hope, Nocturnals
Sunday, April 18, 2010
Russian Hill
by Andy Sturmer
I dreamt about a tranquil Sunday drive
A sensory lullaby
We trade the comics, cartoons, and magazines
For pistons and gasolines
We see the road from the bedside
Parked under the sunshine
We feel the warmth of the engine
So we climb inside
And take to the motorway
Watch the clouds turn into faces
It's fun to play
Shift the gears for years
And age a single day
Until we spill onto Russian Hill
Past cathedrals filled with God's favorite guests
Dirty hands feel clean
Dressed in their Sunday best
Treeline village, oh so heavenly
Cross a bridge of gold
To landscapes of juniper
Only Eden is for millionaires
I'm pulling through the last stoplight
We head home past the shoreline
And through the rear view mirror it all melts away
Till we're helpless
Watch the clouds turn into faces
It's fun to play
We shift the gears for years
And age a single day
For like curtains close this sunset matinée
A dream fulfilled on Russian Hill
Posted by Steven A Mitchell 0 comments
Labels: idyllic, joy, romanticism
Friday, April 16, 2010
Nearly Beloved
by Jakob Dylan
Last night I dreamt one thousand lies
I could see the dawn through a different set of eyes
There in my slumber passing time
Long live the world resting on its side
I walked the orchard with you
Your hand in mine
In the evergreens drinking wine
I saw the snow fall in black and white
From the auburn sky
Last night I lived more than one thousand lives
Not one of them survived
Up through the earth at dawn I came
I crossed the kingdom through venom-pouring rain
When the vacuum of my own brigade
Resurrected to make you mine again
Orpheus looked back once
She sailed the underworld
No second chances will be earned
I have returned as a phantom now
To walk the bow and stern
Last night I lived more than one thousand lives
Not one of them survived
If we could do better, I know that we would
Maybe admit it now: we're not that good
We keep the needle between zero and one
You play your fiddle, I'll play dumb
Into the pastures of our minds
Goes my nearly beloved and I
Blazing two parallel white lines
Through this broken heart spilt open wide
Time may be on my side
But it's mostly far behind
I was the apple of your eye
Now I'm the boy spinning on a wheel
There stuck with knives
Last night I lived more than one thousand lives
Not one of them survived
Posted by Steven A Mitchell 0 comments
Labels: dream, longing, Orpheus, Wallflowers
Wednesday, April 14, 2010
Sugar Magnolia
by Robert Hunter
Sugar magnolia blossoms blooming
Head's all empty and I don't care
Saw my baby down by the river
Knew she'd have to come up soon for air
Sweet blossom come on under the willow
We can have high times if you'll abide
We can discover the wonders of nature
Rolling in the rushes down by the riverside
She's got everything delightful
She's got everything I need
Takes the wheel when I'm seeing double
Pays my ticket when I speed
She come skimming through rays of violet
She can wade in a drop of dew
She don't come and I don't follow
Waits backstage while I sing to you
She can dance a Cajun rhythm
Jump like a Willys in four-wheel drive
She's a summer love in the spring, fall and winter
She can make happy any man alive
Sugar Magnolia
Ringing that blue bell
Caught up in sunlight
Go on out singing
I'll walk you in the sunshine
Come on honey, come along with me
She's got everything delightful
She's got everything I need
A breeze in the pines in the summer night moonlight
Crazy in the sunlight, yes indeed
Sometimes when the cuckoo's crying
When the moon is halfway down
Sometimes when the night is dying
I take me out and I wander 'round
I wander 'round
Sunshine daydream
Walking in the tall trees
Going where the wind goes
Blooming like a red rose
Breathing more freely
Light out singing
I'll walk you in the morning sunshine
Sunshine daydream
Walk you in the sunshine
Posted by Steven A Mitchell 0 comments
Labels: Grateful Dead, idyllic, joy, romance
Friday, April 9, 2010
I See the Rain
by Junior Campbell
Beautiful day, I'd like to lie on the green lawn
The ducks are congregating round, round the lily pond
And the cows have all gone
Running home to put their coats on
Stay indoors
While it pours
Till tomorrow
I see the rain again
I must complain again
Why does the rain let me down?
Will you try to make it sunny in the morning?
Five to ten, now it's time for the weather
The sun will shine and, in its time, get better
But it won't last for long
Clouds are spreading over London town
Posted by Steven A Mitchell 0 comments
Labels: idyllic
Wednesday, April 7, 2010
Hung Up on a Dream
by Rod Argent
Well I remember yesterday
Just drifting slowly through a crowded street
With neon darkness shimmering through the haze
A sea of faces rippling in the heat
And from that nameless changing crowd
A sweet vibration seemed to fill the air
I stood astounded, staring hard
At men with flowers resting in their hair
A sweet confusion filled my mind
Until I woke up only finding
Everything was just a dream
A dream unusual of its kind
That gave me peace and blew my mind
And now I'm hung up on a dream
They spoke with soft persuading words
About a living creed of gentle love
And turned me on to sounds unheard
And showed me strangest clouded sights above
Which gently touched my aching mind
And soothed the wonderings of my troubled brain
Sometimes I think I'll never find
Such purity and peace of mind again
Posted by Steven A Mitchell 0 comments
Labels: contentment, dream, longing
Tuesday, April 6, 2010
Rejection
by Franz Kafka
When I meet a pretty girl and beg her: 'Be so good as to come with me,' and she walks past without a word, this is what she means to say:
'You are no Duke with a famous name, no broad American with a Red Indian figure, level, brooding eyes and a skin tempered by the air of the prairies and the rivers that flow through them, you have never journeyed to the seven seas and voyaged on them wherever they may be, I don't know where, so why, pray, should a pretty girl like myself go with you?'
'You forget that no automobile swings you through the street in long thrusts; I see no gentlemen escorting you in a close half-circle, pressing on your skirts from behind and murmuring blessings on your head; your breasts are well laced into your bodice, but your thighs and hips make up for that restraint; you are wearing a taffeta dress with a pleated skirt such as delighted all of us last autumn, and yet you smile — inviting mortal danger — from time to time.'
'Yes, we are both in the right, and lest we become irrefutably conscious of it, we wish — isn't it true? — to instead go each to our own home.'
Posted by Steven A Mitchell 0 comments
Labels: disharmony, prose, rejection
Monday, April 5, 2010
East Coker (Pt. I)
by T.S. Eliot
In my beginning is my end. In succession
Houses rise and fall, crumble, are extended,
Are removed, destroyed, restored, or in their place
Is an open field, or a factory, or a by-pass.
Old stone to new building, old timber to new fires,
Old fires to ashes, and ashes to the earth
Which is already flesh, fur and faeces,
Bone of man and beast, cornstalk and leaf.
Houses live and die: there is a time for building
And a time for living and for generation
And a time for the wind to break the loosened pane
And to shake the wainscot where the field-mouse trots
And to shake the tattered arras woven with a silent motto.
In my beginning is my end. Now the light falls
Across the open field, leaving the deep lane
Shuttered with branches, dark in the afternoon,
Where you lean against a bank while a van passes,
And the deep lane insists on the direction
Into the village, in the electric heat
Hypnotised. In a warm haze the sultry light
Is absorbed, not refracted, by grey stone.
The dahlias sleep in the empty silence.
Wait for the early owl.
In that open field
If you do not come too close, if you do not come too close,
On a summer midnight, you can hear the music
Of the weak pipe and the little drum
And see them dancing around the bonfire
The association of man and woman
In daunsinge, signifying matrimonie—
A dignified and commodiois sacrament.
Two and two, necessarye coniunction,
Holding eche other by the hand or the arm
Whiche betokeneth concorde. Round and round the fire
Leaping through the flames, or joined in circles,
Rustically solemn or in rustic laughter
Lifting heavy feet in clumsy shoes,
Earth feet, loam feet, lifted in country mirth
Mirth of those long since under earth
Nourishing the corn. Keeping time,
Keeping the rhythm in their dancing
As in their living in the living seasons
The time of the seasons and the constellations
The time of milking and the time of harvest
The time of the coupling of man and woman
And that of beasts. Feet rising and falling.
Eating and drinking. Dung and death.
Dawn points, and another day
Prepares for heat and silence. Out at sea the dawn wind
Wrinkles and slides. I am here
Or there, or elsewhere. In my beginning.
[Pt. II here]
Posted by Steven A Mitchell 0 comments
Labels: aging, Eliot, Four Quartets, idyllic, poetry
Sunday, April 4, 2010
Christ the Lord Is Risen Today
by Charles Wesley
Christ, the Lord, is risen today,
Sons of men and angels say,
Raise your joys and triumphs high,
Sing, ye heavens, and earth, reply,
Love’s redeeming work is done,
Fought the fight, the battle won,
Lo! the Sun’s eclipse is over,
Lo! He sets in blood no more,
Vain the stone, the watch, the seal,
Christ hath burst the gates of hell,
Death in vain forbids His rise,
Christ hath opened paradise,
Lives again our glorious King,
Where, O death, is now thy sting?
Once He died our souls to save,
Where thy victory, O grave?
Soar we now where Christ hath led,
Following our exalted Head,
Made like Him, like Him we rise,
Ours the cross, the grave, the skies,
Hail, the Lord of earth and Heaven,
Praise to Thee by both be given,
Thee we greet triumphant now,
Hail, the resurrection, thou,
King of glory, Soul of bliss,
Everlasting life is this,
Thee to know, Thy power to prove,
Thus to sing and thus to love,
Hymns of praise then let us sing,
Unto Christ, our heavenly King,
Who endured the cross and grave,
Sinners to redeem and save.
But the pains that He endured,
Our salvation have procured,
Now above the sky He’s King,
Where the angels ever sing.
Jesus Christ is risen today,
Our triumphant holy day,
Who did once upon the cross,
Suffer to redeem our loss.
Friday, April 2, 2010
When I Survey the Wondrous Cross
by Isaac Watts
When I survey the wondrous cross
On which the Prince of glory died,
My richest gain I count but loss,
And pour contempt on all my pride.
Forbid it, Lord, that I should boast,
Save in the death of Christ my God!
All the vain things that charm me most,
I sacrifice them to His blood.
See from His head, His hands, His feet,
Sorrow and love flow mingled down!
Did e'er such love and sorrow meet,
Or thorns compose so rich a crown?
His dying crimson, like a robe,
Spreads o'er His body on the tree;
Then I am dead to all the globe,
And all the globe is dead to me.
Were the whole realm of nature mine,
That were a present far too small;
Love so amazing, so divine,
Demands my soul, my life, my all.
Posted by Steven A Mitchell 0 comments
Labels: death, disharmony, God, Good Friday, hymn, salvation, sin, Watts